Arnold, Matthew. 1867. On the Study of Celtic Literature. London: Smith, Elder & Company.
Browne, Harry. 2013. The Frontman: Bono (In the Name of Power). London: Verso.
Cambrensis, Giraldus. 1863. The History and Topography of Ireland, ed. Thomas Wright, trans. Thomas Forester. London: H.G. Bohn.
Dunhill, Alfred. 2013. ‘Brian Eno on Surrendering, Noticing, Imperfection’. http://www.improvisedlife.com/2013/03/28/brian-eno-on-surrendering-noticing-imperfection-2/
Dyer, Richard. 1993. ‘The Role of Stereotypes’. In Richard Dyer, The Matter of Images: Essays on Representation, 11–18. London: Routledge.
Eno, Brian. 1994. ‘Bringing up Baby’. In The U2 Files, ed. Rolling Stone, 165–70. New York: Hyperion.
—1996. A Year with Swollen Appendices: The Diary of Brian Eno. London: Faber & Faber.
—2004. ‘The Studio as Compositional Tool’. In Audio Culture: Readings in Modern Music, ed. Christoph Cox and Daniel Warner, 127–30. New York: Continuum.
Fast, Susan. 2008. ‘Music, Context and Meaning in U2’. In Expression in Rock-Pop Music: Critical and Analytical Essays, ed. Walter Everett, 175–97. 2nd ed. New York: Routledge.
Flanagan, Bill. 1995. U2: At the End of the World. New York: Bantam Press.
Frith, Simon. 1996. Performing Rites: On the Value of Popular Music. Oxford: Oxford University Press.
Frith, Simon, and Howard Horne. 1987. Art into Pop. New York: Methuen.
Graham, Bill. 1989. U2—the Early Years: Another Time, Another Place. London: Mandarin.
—1995. ‘Interview by Noel McLaughlin’. Dublin: Unpublished.
Jensen, Klaus Bruhn. 2008. The International Encyclopedia of Communication, ed. Wolfgang Donsbach. Blackwell Online: http://www.blackwellreference.com/public/tocnode?id=g9781405131995_yr2013_chunk_g978140513199514_ss60-1
McCormick, Neil. 2008. U2 by U2. London: Harper.
McLaughlin, Noel, and Martin McLoone. 2012. Rock and Popular Music in Ireland: Before and After U2. Dublin and Portland, OR: Irish Academic Press.
Morley, Paul. 2010. ‘On Gospel, Abba and the Death of the Record: An Audience with Brian Eno’. The Observer Review. 17 January.
Pratt, Mary Louise. 1991. ‘Arts of the Contact Zone’. Profession 91: 33–40. Modern Language Association.
—2007. Imperial Eyes: Travel Writing and Transculturation. New York: Taylor & Francis.
Prendergast, Mark J. 1987. The Isle of Noises: Rock and Roll’s Roots in Ireland. Dublin: O’Brien Press.
—2000. The Ambient Century: From Mahler to Moby—the Evolution of Sound in the Electronic Age. London: Bloomsbury.
Reynolds, Simon. 2005. Rip it Up and Start Again: Post-punk 1978–1984. London: Faber.
Reynolds, Simon, and Joy Press. 1995. The Sex Revolts: Gender, Rebellion and Rock ’n’ Roll. London: Serpent’s Tail.
Savage, Jon. 2011. ‘Brian Eno Profile and Interview’. BBC Newsnight, October. http://www.youtube.com/watch?v=2ms0EulbNA8
Sheppard, David. 2008. On Some Far Away Beach: The Life and Times of Brian Eno. London: Orion.
Smyth, Gerry. 2005. Noisy Island: A Short History of Irish Popular Music. Cork: Cork University Press.
Tamm, Eric. 1995. Brian Eno: His Music and the Vertical Colour of Sound. Cambridge, MA: Da Capo Press.
Tannenbaum, Rob. 1985. ‘A Meeting of Sound Minds: John Cage and Brian Eno’. Musician 83, September: 64–70, 72, 106.
Thornton, Sarah. 1995. Club Cultures: Music, Media and Subcultural Capital. Cambridge: Polity Press.
Wollen, Peter. 1982. ‘The Two Avant-Gardes’. In Peter Wollen, Readings and Writings: Semiotic Counter Strategies, 92–104. London: Verso.