Orpheus and the Underground: Raves and Implicit Religion -- From Interpretation to Critique
Issue: Vol 8 No. 3 (2005) Vol 8, No 3 (2005)
Journal: Implicit Religion
Subject Areas: Religious Studies
Abstract:
This three-part article highlights a personal liaison with the concept of implicit religion as both cultural analyst and religion theorist. The lack of unity and methodological rigour which characterize the reception of the concept of implicit religion to date fuels the desire to apply it in a systematic fashion to a contemporary night-time and music, and has been widely interpreted as harbouring some sort of religiosity or rapport with the sacred: the English-born-turned-global information on raves, methodological considerations and an ‘ethnographic’ ravers in 2002. The second section is interpretative, starting with a synthesis of existing interpretations according to which raves are driven by various religious systematically applied to the material presented in section one, while drawing parallels with Bailey’s (1997) presentation. The third and last part uses the prior analysis as a basis from which to critique the concept of implicit religion. regards to the orphic—or, more precisely, the transgressive—pole of religion, paramount in the study of raves. It also argues that the concept of implicit theories on religion; an inflexion which has oriented research to date in this or ‘something like it’. The article closes with a few hints as to which outlined.
Author: François Gauthier