Item Details

From South to East: Exoticism in Polish popular music of the state socialist period

Issue: Vol 11 No. 1 (2016) Special Issue: Crossing national borders in Eastern European popular music

Journal: Popular Music History

Subject Areas: Popular Music

DOI: 10.1558/pomh.36188

Abstract:

This article considers cases when Polish popular music of the state socialist period drew on non-western motifs. It argues that initially the main source of inspiration was South America and its music; in the later period the Middle-East and India moved to the fore, which reflects a wider trend in Anglo-American pop-rock and testifies to the knowledge and experiences gained during travels undertaken by Polish musicians, especially to the eastern part of the Soviet Union. Appropriation of exotic motifs took different forms. In Estrada music of the 1950s and 1960s ‘banal exoticism’ prevailed, based on recycling touristy clichés; in the later periods rock musicians attempted to imitate and rework the sound of non-western musics and even live in tune with Oriental philosophy. There were also cases of playful and ironic appropriation of exotic themes. A special case is the work of Czesław Niemen, who was particularly open to non-western cultures. The piece is grounded in the study of Orientalism and tourism.

Author: Ewa Mazierska

View Original Web Page

References :

Albers, Patricia C., and William R. James. 1988. ‘Travel Photography: A Methodological Approach’. Annals of Tourism Research 15: 134–58. https://doi.org/10.1016/0160-7383(88)90076-X

Billig, Michael. 1995. Banal Nationalism. London: Sage.

Bohlman, Philip V. 2002. World Music: A Very Short Introduction. Oxford: Oxford University Press. https://doi.org/10.1093/actrade/9780192854292.001.0001

Born, Georgina, and David Hesmondhalgh, eds. 2000. Western Music and Its Others: Difference, Representation and Appropriation in Music. Berkeley: University of California Press.

Gradowski, Mariusz. 2015. ‘Style i gatunki polskiej muzyki młodzieżowej w latach 1957–1973’. PhD dissertation, Warsaw University.

Idzikowska-Czubaj, Anna. 2011. Rock w PRL-u: O paradoksach współistnienia. Poznań: Wydawnictwo Poznańskie.

Janiszewska, Barbara. 2016. ‘Review of Tekściarz’, Dziennikarze.pl. http://dziennikarzerp.org.pl/teksciarz-czyli/ (accessed 18 May 2017).

Laušević, Mirjana. 2007. Balkan Fascination: Creating an Alternative Music Culture in America. Oxford: Oxford University Press.

Majewski, Wojciech. 2006. Marek Grechuta: Portret artysty. Kraków: Znak.

Michalewicz, Iza, and Jerzy Danilewicz. 2011. Villas Nic przecież nie mam do ukrycia... Warsaw: Świat Książki.

Michalski, Dariusz. 2009. Czesław Niemen: Czy go jeszcze pamiętasz?. Warsaw: MG.

—n.d. ‘Czerwony Gitary. Spokój serca’. http://czerwonegitary.com/historia/spokoj-serca/ (accessed 18 May 2017).

Polskie Radio.pl. 2015. ‘Jerzy Petersburski – “Tango Milonga” grali nawet na Broadway’u’. 20 April. http://www.polskieradio.pl/39/156/Artykul/1423281,Jerzy-Petersburski-Tango-Milonga-grali-nawet-na-Broadwayu (accessed 15 May 2017).

Said, Edward W. 2003 [1978]. Orientalism. London: Penguin.

Skotarczak, Dorota. 2017. ‘The Heart is Beating to the Cha-Cha Rhythm: Exoticism in Polish Songs of the 1950s and 1960s’. Our Europe 6 (forthcoming).

Szubrycht, Jarek. 2016. ‘Marek Biliński: Między klasyką a kontrolą rzeczywistości’. In Antologia Polskiej Muzyki Elektronicznej, ed. Marek Horodniczy, 17–23. Warszawa: Narodowe Centrum Kultury.

Ventsel, Aimar. 2016. ‘Estonian Invasion as Western Ersatz-pop’. In Popular Music in Eastern Europe: Breaking the Cold War Paradigm, ed. Ewa Mazierska, 69–88. London: Palgrave. https://doi.org/10.1057/978-1-137-59273-6_4

Wang, Ning. 2000. Tourism and Modernity: A Sociological Analysis. Amsterdam: Pergamon.

Wolff, Larry. 1994. Inventing Eastern Europe: The Map of Civilization on the Mind of the Enlightenment. Stanford: Stanford University Press.