ABC. 2018. ‘About the ABC’. ABC Online. Online at http://about.abc.net.au/how-the-abc-is-run/what-guides-us/legislative-framework/ (accessed 9 February 2018).
ABS. 2018. ‘8146.0—Household Use of Information Technology, Australia, 2016–17’. Australian Bureau of Statistics. Online at http://www.abs.gov.au/ausstats/abs@.nsf/mf/8146.0?OpenDocument (accessed 4 June 2018).
ACMI. 2010. ‘Rage with Guest Programmer John Safran’. ACMI Online. Online at https://2015.acmi.net.au/acmi-channel/2010/podcast-rage-with-john-safran/ (accessed 6 June 2018).
Adams, C. 2017. ‘The Secrets of Rage—now the longest-running music show on TV’. News.Com.Au. Online at https://tinyurl.com/64f1edc1ece (accessed 10 February 2018).
Airoldi, M., D. Beraldo and A. Gandini. 2016. ‘Follow the Algorithm: An Exploratory Investigation of Music on YouTube’. Poetics 57/1: 1–13. https://doi.org/10.1016/j.poetic.2016.05.001
Bastow, C. 2017. ‘Guest-programming Rage has been a great Australian dream for 30 years. Here’s to 30 more’. The Guardian. Online at https://tinyurl.com/m6ltvs6 (accessed 10 February 2018).
Bennett, J., and N. Strange, eds. 2014. Media Independence: Working with Freedom or Working for Free? New York: Routledge. https://doi.org/10.4324/9781315776392
Beyoncé. 2016. ‘Lemonade: Visual Album’. Beyoncé official website. Online at https://www.beyonce.com/album/lemonade-visual-album/ (accessed 10 February 2018).
Byron, T. 2017. ‘Rage: the weekend all-night music show still rocking in the YouTube age’. Sydney Morning Herald. Online at https://tinyurl.com/gvg2g0 (accessed 10 February 2018).
Daalton, L. 2017. Comment made on Rage Facebook post: ‘29 years later and we’ve finally made it’. Online at https://tinyurl.com/y9cdgar4 (accessed 10 February 2018).
Dixon-Smith, M. 2017. ‘An Ode to “Rage” on its 30th Birthday’. Junkee Online. Online at https://junkee.com/ode-rage-30th-birthday/102144 (accessed 9 February 2018).
Fauteux, B. 2017. ‘“Songs You Need to Hear”: Public Radio Partnerships and the Mobility of National Music’. Radio Journal: International Studies in Broadcast & Audio Media 15/1: 47–64. https://doi.org/10.1386/rjao.15.1.47_1
Gee, N. 2015. ‘Maintaining our Rage: Inside Australia’s Longest-running Music Video Program’. PhD thesis, Queensland University of Technology. Online at https://eprints.qut.edu.au/85665/ (accessed 10 February 2018).
Gibsone, H. 2013. ‘Prince sends his first tweets, no symbols included’. The Guardian Online. Online at https://www.theguardian.com/music/2013/aug/14/prince-sends-first-tweet-twitter (accessed 10 February 2018).
Giuffre, L 2009. ‘Maintaining Rage: Counting Down without a Host for over 20 Years’. Perfect Beat 10/1: 39–57. https://doi.org/10.1558/prbt.v10i1.39
—2013a. ‘Rage against the Machine: Music TV Still Important for the Australian Industry’. The Conversation. Online at https://tinyurl.com/y7gt9yq3 (accessed 3 May 2018).
—2013b. ‘Countdown and Cult Music Television Programmes’. Intensities: Journal of Cult Media 6 (Autumn/Winter): 31–56.
—2017. ‘30 Years of Rage, and No Signs of Quietening’. The Conversation. Online at https://theconversation.com/30-years-of-rage-and-no-signs-of-quietening-75852 (accessed 10 February 2018).
Hesmondhalgh, D. 1999. ‘Indie: The Institutional Politics and Aesthetics of a Popular Music Genre’. Cultural Studies 13/1: 34–61. https://doi.org/10.1080/095023899335365
Koh, T. 2017. i/v with author, face to face, Sydney, 4 March 2017.
Knox, D. 2017. ‘The Loop goes Primetime for Summer’. TV Tonight. Online at https://tvtonight.com.au/2017/12/the-loop-goes-primetime-for-summer.html (accessed 6 June 2018).
Liikkanen, L., and A. Salovaara. 2015. ‘Music on YouTube: User Engagement with Traditional, User-appropriated and Derivative Videos’. Computers in Human Behavior 50/2: 108–124. https://doi.org/10.1016/j.chb.2015.01.067
McMahon, K. 2017. ‘Tim Rogers’. In Rage 30: Celebrating Thirty Years of R-R-R-R-Rage, ed. K. McMahon, 58–59. Sydney: ABC Magazines.
Nugent, M. 2014. ‘Video Cassette Revolution: The VCR in Australia’. MA (Research) Thesis, Macquarie University.
Rage. 2016. ‘Noel Fielding’. Rage. Online at http://www.abc.net.au/rage/guest/noel-fielding/9646512 (accessed 10 February 2018).
—2018. Homepage—The Official Rage Website. ABC online, at https://www.abc.net.au/rage/ (accessed 19 February 2018).
Reid, P. 2017. ‘How Do You Get Triple J Airplay? Music Director Nick Findlay Explains’. The Industry Observer. Online at https://www.theindustryobserver.com.au/how-do-you-get-triple-j-airplay-music-director-nick-findlay/ (accessed 6 June 2018).
Salter, L. 2017. Comment made on Rage Facebook post: ‘29 years later and we’ve finally made it’. Online at https://tinyurl.com/196766868707 (accessed 10 February 2018).
Stockbridge, S. 1992. ‘From Bandstand and Six O’Clock Rock to MTV and Rage: Rock Music on Australian Television’. In From Pop to Punk to Postmodernism: Popular Music and Australian Culture from the 1960s to the 1990s, ed. P. Hayward, 68–85. Sydney: Allen and Unwin.
Strong, C. 2015. ‘Shaping the Past of Popular Music: Memory, Forgetting and Documenting’. In The SAGE Handbook of Popular Music, ed. Andy Bennett and Steve Waksman, 418–33. London: Sage.
Strong, C., and B. Lebrun. 2015. ‘The Great Gig in the Sky’. In Death and the Rock Star, ed. Catherine Strong and Barbara Lebrun, 1–16. Surrey: Ashgate. https://doi.org/10.4135/9781473910362.n24
Vernallis, C. 2013. Unruly Media: YouTube, Music Video, and the New Digital Cinema. Oxford: Oxford University Press. https://doi.org/10.1093/acprof:oso/9780199766994.001.0001
—2017. ‘Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video’. Film Criticism 41/1. Online at https://tinyurl.com/ydc5ne6z (accessed 10 February 2018).
Vlegels, J., and L. Lievens. 2017. ‘Music Classification, Genres, and Taste Patterns: A Ground-up Network Analysis on the Clustering of Artist Preferences’. Poetics 60: 76–89. https://doi.org/10.1016/j.poetic.2016.08.004