Vol 5 No. 1 (2010)
Journal: Popular Music History
Published: Jun 23, 2011
View In OJS: https://www.equinoxpub.com/PMH/issue/view/1074
| Section | Title | Author | Published |
|---|---|---|---|
| Editorial | |||
| Introduction to the special issue: The music of Bernard Herrmann | Dave Laing | Jun 22, 2011 | |
| Articles | |||
| Bernard Herrmann—‘pop’ composer? | Edward Green | Jun 22, 2011 | |
| Lessons from Ives: Elements of Charles Ives’s musical language in the film scores and symphonic works of Bernard Herrmann | Jonathan Waxman | Jun 22, 2011 | |
| The deleted music and scenes from Journey to the Center of the Earth | Bill Wrobel | Jun 22, 2011 | |
| Unconscious anchors: Bernard Herrmann’s music for Marnie | Tom Schneller | Jun 22, 2011 | |
| Resources | |||
| Resources & Herrmann research | Bill Wrobel | Jun 22, 2011 | |
| Reviews | |||
| Graham St John. Technomad: Global Raving Countercultures. London: Equinox, 2009. 312 pp. ISBN 978-1-84553-626-8 (pbk). £15.00. | Hillegonda Rietvelt | Jun 22, 2011 | |
| John Szwed. The Man who Recorded the World: A Biography of Alan Lomax. London: William Heinemann, 2010. 438 pp. ISBN 9780434012329. £20.00. | Dave Laing | Jun 22, 2011 | |