| Section |
Title |
Author |
Published |
| Articles
|
|
Traditional jazz and the mainstreaming of authenticity: The case of British traddy pop (1959–1963)— a grounded theory approach |
Richard Ekins |
Nov 21, 2011 |
|
To Flood the Basin with Beethoven: The Promethean Aesthetics of Post-World War II FM Concert Stations in the United States |
Tim J. Anderson |
Nov 18, 2011 |
|
The role and significance of storytelling in the creation of the ‘post-Sixties’ Beatles, 1970–1980 |
Holly Tessler |
Nov 21, 2011 |
|
Skin deep: ska and reggae on the racial faultline in Britain, 1968-1981 |
Jon Stratton |
Nov 18, 2011 |
| Resources
|
|
Resource Notes: Rock and pop collecting at the V&A |
Kristian Volsing |
Nov 18, 2011 |
| Reviews
|
|
Book Review: Andy Bennett and Jon Stratton, eds. Britpop and the English Music Tradition. Ashgate Popular and Folk Music Series. Farnham: Ashgate, 2010. 225 pp. ISBN 978-0-754- 66805-3 (hbk). £55.00 |
Kari Kallioniemi |
Nov 21, 2011 |
|
Book Review: Emma Baulch, Making Scenes: Reggae, Punk, and Death Metal in 1990s Bali. Durham and London: Duke University Press, 2007. 226 pp. ISBN 978-0-8223-4115-4 (pbk) $22.95 |
Emma Baulch |
Nov 21, 2011 |