| Section |
Title |
Author |
Published |
| Introduction
|
|
Introduction: New Perspectives on Popular Music in Asia |
Shelley Brunt |
Jan 30, 2012 |
| Articles
|
|
Ideology and the performance of Chineseness: Hong Kong singers on the CCTV stage |
Lauren Gorfinkel |
Jan 30, 2012 |
|
God Bless come back: new experiments with nostalgia in Indonesian rock |
Emma Baulch |
Jan 30, 2012 |
|
The success of hopelessness: the evolution of Korean indie music |
Hyunjoon Shin |
Jan 30, 2012 |
|
Soundscapes in Vedic metal: a perspective from Singapore |
Eugene Dairianathan |
Jan 30, 2012 |
| Reviews
|
|
Book Review: Moskowitz, Marc L. 2010. Cries of Joy, Songs of Sorrow: Chinese Pop Music and its Cultural Connotations. Honolulu: University of Hawai’i Press. ISBN 978-0-8248- 3369-5 (hbk), 978-0-8248-3422-7 (pbk). 165 pp. |
Nancy Guy |
Jan 30, 2012 |
|
Book Review: Goddard, M., and Benjamin Halligan, eds. 2010. Mark E. Smith and The Fall: Art, Music, and Politics. Aldershot: Ashgate. ISBN 9-780-754-66867-1 (pbk). 209 pp. |
Rob Chapman |
Jan 30, 2012 |
|
Book Review: Drewett, M., Sarah Hill and Kimi Kärki, eds. 2010. Peter Gabriel, From Genesis to Growing Up. Aldershot: Ashgate. ISBN 978-0-7546-6521-2 (hbk). 288 pp. |
Robert G. H. Burns |
Jan 30, 2012 |
|
Book Review: Laing, D. 2010. Buddy Holly. London: Equinox. ISBN 978-1-84553-627-5 (pbk). 194 pp. |
Roger Landes |
Jan 31, 2012 |