Vol 7 No. 1 (2012)
Journal: Popular Music History
Published: Feb 5, 2013
View In OJS: https://www.equinoxpub.com/PMH/issue/view/1327
| Section | Title | Author | Published |
|---|---|---|---|
| Articles | |||
| Sucking in the Seventies? The Rolling Stones and the aftermath of the permissive society | Marcus Collins | Feb 5, 2013 | |
| Authenticity as authenticating—the case of New Orleans jazz revivalism: An approach from grounded theory and social world analysis | Richard Ekins | Feb 5, 2013 | |
| Mapping live provisions in Welsh-language rock, 1978–80 | Craig Owen Jones | Feb 5, 2013 | |
| A cool reception to the American Beat: The Fleshtones in Britain, 1981–83 | Philip Kiszely | Feb 5, 2013 | |
| Resources | |||
| Resource notes | Dave Laing | Feb 5, 2013 | |
| Reviews | |||
| Ian Inglis, ed. Popular Music and Television in Britain. Farnham: Ashgate, 2010. 266 pp. £60.00. ISBN 978-0-7546-6864-0 (hbk). | Faye Woods | Feb 5, 2013 | |
| Helen Reddington. The Lost Women of Rock Music: Female Musicians of the Punk Era (2nd edition). Sheffield: Equinox, 2012. 263 pp. ISBN 978-1-84553-957-3 (pbk). | Paula Hearsum | Feb 5, 2013 | |