| Section |
Title |
Author |
Published |
| Articles
|
|
Needle Time: The BBC, the Musicians’ Union, popular music, and the reform of radio in the 1960s. |
Richard Witts |
Dec 1, 2013 |
|
“Masters of our own destiny”: cultures of preservation at the Victorian Jazz Archive in Melbourne, Australia |
Sarah Baker, Alison Huber |
Dec 1, 2013 |
|
Minority language, majority canon |
Sarah Hill |
Dec 1, 2013 |
|
‘Immersed in the conflict’: Mike Westbrook’s Marching Song (1969) and the landscape and soundscape of war |
Duncan Heining |
Dec 1, 2013 |
| Reviews
|
|
Ros Jennings and Abigail Gardner, eds, ‘Rock On’: Women, Ageing and Popular Music. Farnham: Ashgate, 2012. 182 pp. ISBN 978-1-4094-2841-1 (hbk). |
Helen Reddington |
Dec 2, 2013 |
|
Peter Tschmuck, Creativity and Innovation in the Music Industry (revised edition). Berlin: Springer, 2012. 303 pp. ISBN 978-3-642-28429-8. £117 (hbk), £36.60 (pbk, first German edition). |
Phil Hardy |
Dec 2, 2013 |
|
Peter Hook, Unknown Pleasures: Inside Joy Division. London: Simon & Schuster, 2012. 386 pp. ISBN 978-0-85720-216-1. £20.00 (hbk). ISBN 978-1-84983-360-8. £14.99 (pbk). £9.99 (Kindle). |
James McGrath |
Dec 2, 2013 |
|
Natalie Hopkinson, Go-Go Live: The Musical Life and Death of a Chocolate City. Durham, NC: Duke University Press, 2012. 232 pp. ISBN 978-0-8223-5211-2. $22.95 (pbk). |
Chris Ealham |
Dec 2, 2013 |