| Section |
Title |
Author |
Published |
| Editorial
|
|
Editors’ Introduction to Inaugural Issue |
Simone Krüger, Sarah Baker |
Apr 29, 2014 |
| Popular Music in Australia and The Pacific
|
|
Agent of Bicultural Balance: Ganma, Yothu Yindi and the Legacy of Mandawuy Yunupiŋu |
Aaron Corn |
Apr 15, 2014 |
|
Henry “Seaman” Dan and Karl Neuenfeldt. 2013. Steady Steady: The Life and Music of Seaman Dan. Canberra: Aboriginal Studies Press. 170pp. ISBN 978-1-9220-59208 (pbk). |
Åse Ottosson |
Apr 15, 2014 |
|
Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea |
Oli Wilson |
Apr 29, 2014 |
| Popular Music in Europe
|
|
Diversity and Synergy in the Recording Industry in Portugal, 1988-2008 |
Pedro Nunes |
Apr 15, 2014 |
|
Eurovision Song Contest 2013. Malmö, Sweden. |
Paul Jordan |
Apr 15, 2014 |
|
Paul Royal and Double Bass. Europopmusic. The Online Magazine and Encyclopedia about European Pop and Rock Music. www.europopmusic.eu. |
Emília Barna |
Apr 15, 2014 |
| African Popular Music
|
|
Under African Skies. 2012. Directed by Joe Berlinger. Sony Legacy. Blu-ray and DVD. |
Brian F. Wright |
Apr 15, 2014 |
|
Jesse Weaver Shipley.2013. Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music.Durham and London: Duke University Press. 344 pp. ISBN 978-0-8223-5366-9 (pbk) |
Greg Dimitriadis |
Apr 15, 2014 |
|
Steven Feld. 2012. Jazz Cosmopolitanism in Accra: Five Musical Years in Ghana. Durham and London: Duke University Press. 328 pp. ISBN 978-0-8223-5162-7 (pbk) |
Tony Mitchell |
Apr 15, 2014 |
|
Eric Charry, ed. 2012. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press. 404 pp. ISBN 978-0-2530-05755 (pbk). |
Murray Forman |
Apr 15, 2014 |
| World Music
|
|
Bob W. White, ed. 2012. Music and Globalization: Critical Encounters. Bloomington and Indianapolis: Indiana University Press. 248 pp. ISBN 978-0-253-22365-4 (pbk). |
Bruce Johnson |
Apr 15, 2014 |
|
Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club |
Lucy Durán |
May 1, 2014 |
|
Jo Haynes.2013. Music, Difference and the Residue of Race.New York and Abingdon: Routledge. 180 pp.ISBN 978-0-415-87921-7 (hbk) |
Nabeel Zuberi |
Apr 29, 2014 |
|
Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course |
Andrew Killick |
Apr 15, 2014 |