Vol 6 No. 1 (2013)
Journal: Journal of Film Music
Published: Jan 12, 2015
View In OJS: https://www.equinoxpub.com/JFM/issue/view/2078
| Section | Title | Author | Published |
|---|---|---|---|
| Articles | |||
| Listening to Ingmar Bergman's Monsters: Horror Music, Mutes, and Acoustical Beings in Persona and Hour of the Wolf | Alexis Luko | Nov 27, 2014 | |
| Toward a Prehistory of Film Music: Hans Erdmann's Score for Nosferatu and the Idea of Modular Form | Janina Müller, Tobias Plebuch | Nov 27, 2014 | |
| Modal Interchange and Semantic Resonance in Themes by John Williams | Tom Schneller | Nov 27, 2014 | |
| “Shirley, Bernstein Can’t Be Serious?”: Airplane! and Compositional Personas | Tim Summers | Jan 12, 2015 | |
| Reviews | |||
| Kathryn Kalinak, ed., Music in the Western: Notes from the Frontier | Mark Durrand | Jan 12, 2015 | |
| Michael V. Pisani, Music for the Melodramatic Theatre in Nineteenth-Century London and New York | Roger Hickman | Jan 12, 2015 | |