| Section |
Title |
Author |
Published |
| Editorial
|
|
Editorial: Jazz in Australasia |
Bruce Johnson |
Apr 20, 2015 |
| Articles
|
|
Demons of discord down under: ‘Jump Jim Crow’ and ‘Australia’s first jazz band’ |
John Whiteoak |
Apr 20, 2015 |
|
Early jazz in Australia as oriental exotica |
Aline Scott-Maxwell |
Apr 20, 2015 |
|
Got a little rhythm? The Australian influence on swing in New Zealand during the 1930s and 1940s |
Aleisha Ward |
Apr 20, 2015 |
|
The reception of jazz in Adelaide and Melbourne and the creation of an Australian sound in the Angry Penguins decade |
Bruce Clunies Ross |
Apr 20, 2015 |
|
Cuba Street parade: Identity, authenticity and self-expression in contemporary Australasian jazz scenes |
Nick Tipping |
Apr 20, 2015 |
|
The lost history of jazz on early Australian popular music television |
Liz Giuffre |
Apr 20, 2015 |
|
Shotgun weddings and bohemian dreams: Jazz, family values and storytelling in Australian film |
Christopher Coady |
Apr 20, 2015 |
|
Perspectives on the Melbourne International Women's Jazz Festival |
Louise Denson |
Apr 20, 2015 |
|
‘A tale of five festivals’: Exploring the cultural intermediary function of Australian jazz festivals |
Brent Keogh |
Apr 20, 2015 |
|
‘I wouldn’t change skins with anybody’ Dulcie Pitt/Georgia Lee, a pioneering Indigenous Australian jazz, blues and community singer |
Karl Neuenfeldt |
Apr 20, 2015 |
|
Examining the legend and music of Australian saxophonist, Frank Smith |
Ralph Whiteoak |
Apr 20, 2015 |
|
Lydia in Oz: The reception of George Russell in 1960s Australia |
Pierre-Emmanuel Seguin |
Apr 20, 2015 |
|
Expressive identity in the voices of three Australian saxophonists: McGann, Sanders and Gorman |
Sandy Evans |
Apr 20, 2015 |
|
Sex and the sonic smorgasbord: The Necks—extending the ‘jazz’ piano trio format |
Jane Galbraith |
Apr 20, 2015 |