| Section |
Title |
Author |
Published |
| Introduction
|
|
CO-LOCATIONS - AN INTRODUCTION |
Philip Hayward |
Oct 2, 2015 |
| Articles
|
|
SIMPLY THE BEST? Tina Turner and the Sponsorship and Promotion of the Winfield Cup |
Annie Girodo, Janine Payoe |
Oct 2, 2015 |
|
STAR MOVES Choreography, Choreographers and Australian Music Video |
Rachael Gorham, Arielle Nakache |
Oct 2, 2015 |
|
SUCCESS IS IN THE AIR The Soundtrack, Music and Marketing of Strictly Ba!lroom |
Meret Valtwies |
Oct 2, 2015 |
|
FROM JIM CROW TO JAZZ Imitation African-American Improvisatory Musical Practices in Pre-Jazz Australia |
John Whiteoak |
Oct 2, 2015 |
|
AFTER THE RECORD The Tabaran Documentary, Papua New Guinea and InterCultural Relation |
Philip Hayward |
Oct 2, 2015 |
| Review Essay
|
|
SMASHING THE SILENCE A review of With Open Eyes - The First National Aboriginal and Torres Strait Islander Contemporary Women's Music Festival |
Jilli Streit-Warburton |
Oct 2, 2015 |
| Reviews
|
|
Dean, R. (1992) New Structures in Jazz and Improvised Music Since 1960, Milton Keynes (UK): Open University Press. |
Theo Van Leeuwen |
Oct 2, 2015 |
|
Jordan, Sand Allen, D (eds) Parallel Lines - Media Representations of Dance, London: John Libbey/ Arts Council of Great Britain |
Philip Hayward |
Oct 2, 2015 |
|
Heylin, C. (1993) From the Velvets to the Voidoids: A PrePunk History for a Post-Punk World, Harrnonsworth: Penguin Books |
Tim Sowden |
Oct 2, 2015 |
|
Hutchison, T. (1992) Your Name's on the Door; 10 Years of Australian Music, Sydney: ABC Enterprises |
Andrew Murphie |
Oct 2, 2015 |
|
Rucker, R., R.U. Sirius & Queen Mu (eds) (1992) MONDO 2000: A User's Guide to the New Edge, New York: Harper & Collins |
Mark Brown |
Oct 2, 2015 |