| Section |
Title |
Author |
Published |
| Introduction
|
|
Introduction |
Mark Evans, Denis Crowdy |
Oct 3, 2015 |
| Articles
|
|
REGULATION WITHOUT REPRESENTATION NSW Live Music Policy 1992–2008 |
David Panichi |
Oct 3, 2015 |
|
MELBOURNES BY THE DOZEN Four rock albums and the evocation of place |
JOHN ENCARNACAO |
Oct 3, 2015 |
|
J-POP’S ELUSIVE “J” Is Japanese popular music Japanese? |
TERENCE LANCASHIRE |
Oct 3, 2015 |
|
BRIAN POOLE AND THE TREMELOES OR THE YARDBIRDS Comparing popular music in Perth and Adelaide in the early 1960s |
JON STRATTON |
Oct 3, 2015 |
| Riffs
|
|
UKULELE AFFECTIONS AND HAWAIIAN FAMILY CONNECTIONS The Music and Memories of Musician/Producer Rick Cunha |
KARL NEUENFELDT |
Oct 3, 2015 |
| Reviews
|
|
Cohen, S (2007) Decline, Renewal and the City in Popular Music Culture: Beyond the Beatles, Aldershot: Ashgate |
SHANE HOMAN |
Oct 3, 2015 |
|
Inglis, I (ed) (2006) Performance and Popular Music: History, Place and Time, Burlington, Vermont: Ashgate |
GEOFF KING |
Oct 3, 2015 |
|
Homan, S (ed) (2006) Access All Eras: Tribute Bands and Global Pop Culture, Maidenhead, Berkshire: Open University Press |
DAVID NICHOLS |
Oct 3, 2015 |
|
Brophy, P (2004) 100 Modern Soundtracks, London: British Film Institute Publishing |
TONY MITCHELL |
Oct 3, 2015 |
|
Evans, M (2007) Open Up the Doors: Music in the Modern Church, London: Equinox |
ROBIN RYAN |
Oct 3, 2015 |