Vol 3 No. 3 (1997)
Journal: Perfect Beat
Published: Oct 6, 2015
View In OJS: https://www.equinoxpub.com/PB/issue/view/2263
| Section | Title | Author | Published |
|---|---|---|---|
| Introduction | |||
| Editorial | MARK EVANS | Oct 5, 2015 | |
| Articles | |||
| GOA TRANCE | FRED COLE, MICHAEL HANNAN | Oct 5, 2015 | |
| ON THE FLOW Dancefloor Grooves, Rapping 1Freestylee' and 1the Real Thing | IAN MAXWELL | Oct 5, 2015 | |
| ORIENTAL EXOTICISM IN 1920s AUSTRALIAN POPULAR MUSIC | ALINE SCOTT-MAXWELL | Oct 6, 2015 | |
| SITE AS SONG - SONG AS SITE Constructions of meaning in on Aboriginal rock song | PETER DUNBAR-HALL | Oct 6, 2015 | |
| GUITARS HAVE COME! The Development and Acceptance of New Styles of Musical Performance in Choiseul (Lauru) Island, the Solomon Islands 1 | RYUICHI TAI | Oct 6, 2015 | |
| Review Essay | |||
| SOLIDARITY AND SEDITION Walker, C (1997) Stranded: the secret history of Australian independent music 1977-1991, Sydney: Pan Macmillan | SHANE HOMAN | Oct 6, 2015 | |
| Riffs | |||
| INSULTS, EGOS AND AGENDAS Notes on a Debate About Music Research on the Internet | KARL NEUENFELDT | Oct 6, 2015 | |