| Section | 
                    Title | 
                    Author | 
                    Published | 
                
                
                
                    
                        | Editorial
                         | 
                    
                    
                        
                             | 
                            Editor's Introduction | 
                            Simone Krüger, Sarah Baker | 
                            Jul 15, 2016 | 
                        
                    
                        
                             | 
                            Gender, Popular Music and Australian Identity: Introduction to Special Issue | 
                            Catherine Strong | 
                            Jun 28, 2016 | 
                        
                    
                
                    
                        | Gender, Popular Music and Australian Identity
                         | 
                    
                    
                        
                             | 
                            Not Just Boys and Rock ’n’ Roll: Rediscovering Women on Early Australian Music Television | 
                            Liz Giuffre | 
                            Jun 28, 2016 | 
                        
                    
                        
                             | 
                            She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s | 
                            Catherine Strong, Ian Rogers | 
                            Jun 28, 2016 | 
                        
                    
                        
                             | 
                            “Don’t Worry, it’s Just a Girl!”: Negotiating and Challenging Gendered Assumptions in Sydney’s Breakdancing Scene | 
                            Rachael Gunn | 
                            Jul 3, 2016 | 
                        
                    
                        
                             | 
                            Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene | 
                            Lauren Istvandity | 
                            Jul 3, 2016 | 
                        
                    
                        
                             | 
                            We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal | 
                            Catherine Hoad | 
                            Jun 28, 2016 | 
                        
                    
                        
                             | 
                            “Spark and Cultivate”: LISTEN and Grassroots Feminist Activism in the Melbourne Music Scene | 
                            Catherine Strong, Evelyn Morris | 
                            Jun 28, 2016 | 
                        
                    
                
                    
                        | British Popular Music
                         | 
                    
                    
                        
                             | 
                            Jason Toynbee, Catherine Tackley and Mark Doffman, eds. 2014. Black British Jazz: Routes, Ownership and Performance. Farnham: Ashgate. 244pp. ISBN 978-1- 4724-1756-5 (hbk) | 
                            Lawrence Davies | 
                            Jun 28, 2016 | 
                        
                    
                        
                             | 
                            Jon Stratton. 2014. When Music Migrates: Crossing British and European Racial Faultlines, 1945–2010. Farnham: Ashgate. 221pp. ISBN 978-1-4724-2978-0 (hbk) | 
                            Donna Weston | 
                            Jun 28, 2016 | 
                        
                    
                        
                             | 
                            Jon Stratton and Nabeel Zuberi, eds. 2014. Black Popular Music in Britain Since 1945. Farnham: Ashgate. 256pp. ISBN 9-781-140949-413-1 (hbk) | 
                            Tony Mitchell | 
                            Jun 17, 2016 | 
                        
                    
                
                    
                        | Indigeneity and World Popular Music
                         | 
                    
                    
                        
                             | 
                            Christopher A. Scales. 2012. Recording Culture: Powwow Music and the Aboriginal Recording Industry. Durham, NC: Duke University Press. 368pp. ISBN 978-0- 8223-5338-6 (pbk) | 
                            Carolyn Chong | 
                            Jun 17, 2016 | 
                        
                    
                        
                             | 
                            Thomas R. Hilder. 2014. Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Lanham, MD: Rowman & Littlefield. 262pp. ISBN 978-0-8108-8895-1 (hbk) | 
                            Alf Arvidsson | 
                            Jun 17, 2016 | 
                        
                    
                        
                             | 
                            Katelyn Barney. 2014. Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians. Melbourne: Lyrebird Press. 202pp. ISBN 9-780-73403-777-0 (pbk) | 
                            André Rottgeri | 
                            Jun 28, 2016 |