| Section |
Title |
Author |
Published |
| Introduction
|
|
Emergences - An Introduction |
PHILIP HAYWARD |
Oct 7, 2015 |
| Articles
|
|
A NEW TRADITION Titus Tilly and the Development of Music Video in Papua New Guinea |
PHILIP HAYWARD |
Oct 7, 2015 |
|
GNARNAYARRAHE WAITAIRIE, Claim and Pundulumura |
ROBIN RYAN |
Oct 7, 2015 |
|
ALOHA AUSTRALIA Hawaiian Music in Australia (1920-55) |
JACKEY COYLE, REBECCA COYLE |
Oct 7, 2015 |
|
OF WHAT USE ARE PUBLISHED HAWAIIAN SONG BOOKS? --: Interpreting the notated presentation of modern Hawaiian songs |
AMY KU'ULEIALOHA STILLMAN |
Oct 7, 2015 |
|
PACIFIC ISLANDER RADIO AND MUSIC IN AUCKLAND |
MARK DERBY, HELEN WILSON |
Oct 7, 2015 |
| Review Essay
|
|
MODERN PNG MUSIC |
PETER DUNBAR HALL |
Oct 7, 2015 |
| Reviews
|
|
It's Not About a Salary: Rap, Race and Resistance in Los Angeles, London and New York: Verso |
IAN MAXWELL |
Oct 7, 2015 |
|
Gigs: Jazz and the Cabaret Laws in New York City, New York & London: Routledge |
BRUCE JOHNSON |
Oct 7, 2015 |
|
Marabi Nights- Early South African JazzandVaudevilleBraamfontein(SA): Ravan Press |
PHILIP HAYWARD |
Oct 7, 2015 |
|
From Nimbin to Mardi Gras: Constructing Community Arts, Australian Cultural Studies, Allen and Unwin: Sydney |
TOM BURVILL |
Oct 7, 2015 |
|
Crazy Diamond: Syd Barrett and the Dawn of Pink Floyd, London, New York and Sydney: Omnibus |
MICHAEL FLINT |
Oct 7, 2015 |