Vol 10 No. 1 (2015)
Journal: Popular Music History
Published: Jan 4, 2017
View In OJS: https://www.equinoxpub.com/PMH/issue/view/2310
Section | Title | Author | Published |
---|---|---|---|
Introduction | |||
Introduction to the special issue: Listening to the North of England | Ewa Mazierska | Dec 19, 2016 | |
Articles | |||
Manpool, the musical: Harmony and counterpoint on the Lancashire Plain | Richard Witts | Dec 19, 2016 | |
‘They say a town is just a town, full stop, but what do they know?’: Architecture, urbanism and pop in Sheffield | Owen Hatherley | Dec 19, 2016 | |
The contrasting soundscapes of Hull and London in David Bowie’s Ziggy Stardust and the Spiders from Mars | Peter Atkinson | Dec 19, 2016 | |
Hard floors, harsh sounds and the northern anti-festival: Futurama 1979–1983 | Ian Trowell | Dec 19, 2016 | |
Hashtag 0161: Did Bugzy Malone put Manny on the map? | Kamila Rymajdo | Dec 19, 2016 | |
Reviews | |||
George Plasketes, ed. Please Allow Me to Introduce Myself: Essays on Debut Albums. Farnham and Burlington: Ashgate, 2013. 250 pp. £80.75. ISBN 9781409441762 (hbk). | Paula Hearsum | Dec 19, 2016 |