| Section |
Title |
Author |
Published |
| Introduction
|
|
Editorial Introduction |
Oli Wilson |
Mar 24, 2017 |
| Articles
|
|
Triangulations: Musicalized drama, folklore and identity construction in Nakae Yūji’s A Midsummer’s Okinawan Dream |
Henry Johnson |
Mar 24, 2017 |
|
‘Another Day to Swing on Clothes Lines’: The Bee Gees and Australia |
Pat O'Grady |
Mar 24, 2017 |
|
Musicians and the lifetime soundtrack: Creation and perception of musically motivated autobiographical memories |
Lauren Istvandity |
Mar 24, 2017 |
| Riffs
|
|
An interview with Jonathan Crayford |
Norman Lawrence Meehan |
Mar 24, 2017 |
| Reviews
|
|
Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp |
Catherine Hoad |
Mar 24, 2017 |
|
Johnson, B., ed. 2016. Antipodean Riffs. Sheffield: Equinox. ISBN 978-1-78179-2-803 (hbk). 306 pp. |
Lauren Istvandity |
Mar 24, 2017 |
|
Clifford-Napoleone, A. 2015. Queerness in Heavy Metal Music: Metal Bent. New York and Oxon: Routledge. ISBN 978-0-41572-831-7 (hbk). 166 pp |
Matthew Bannister |
Mar 24, 2017 |
|
Whiteley, S., and M. J. Sklower, eds. 2014. Countercultures and Popular Music. Abingdon: Ashgate. ISBN 978-1-47242-1-067 (hbk). 316 pp. |
Christina Ballico |
Mar 23, 2017 |
|
Marshall, L., and D. Laing, eds. 2015. Popular Music Matters: Essays in Honour of Simon Frith. Farnham: Ashgate. ISBN 978-1-4724-2179-1 (hbk). 252 pp |
Martin Lussier |
Mar 24, 2017 |