| Section |
Title |
Author |
Published |
| Introduction
|
|
Editorial introduction |
Shelley Brunt, Oli Wilson |
Aug 18, 2017 |
| Articles
|
|
In Melbourne tonight: Pop/rock histories and futures |
Shane Homan, Seamus O'Hanlon, Catherine Strong, John Tebbutt |
Jun 23, 2017 |
|
Cultural value and urban governance: A place for Melbourne’s music community at the policymaking table |
Declan Martin |
Aug 17, 2017 |
|
Playing bluegrass in Australia across country and folk scenes |
Miriam Amy Jones |
Aug 17, 2017 |
|
Liveness and improficiency in The Clean’s influence upon Dunedin Sound bands |
Darren Jorgensen |
Aug 17, 2017 |
| Reviews
|
|
Katherine Williams. 2016. Rufus Wainwright. Sheffield, UK; Bristol, CT: Equinox Publishing. ISBN 9-781-78179-519-4 (hbk), ISBN 9-781-7817-939-5 (pbk). 142 pp. |
Alison Blair |
Aug 18, 2017 |
|
Hill, Sarah. 2016. San Francisco and the Long 60s. New York: Bloomsbury Academic. ISBN 978-1-6289-2421-3 (pbk). 357 pp. |
Dave Allen |
Aug 18, 2017 |
|
David Toop. 2016. Into the Maelstrom: Music, Improvisation and the Dream of Freedom: Before 1970. New York and London: Bloomsbury. ISBN 978-1-5013-1451-3 (hbk), 978-1-6289-2769-6 (pbk). 330 pp. |
Alf Arvidsson |
Aug 18, 2017 |
|
João Sardinha and Ricardo Campos, eds. Transglobal Sounds: Music, Youth and Migration. New York: Bloomsbury. ISBN 978-1-5013-1196-3 (hbk). 237 pp. |
Pauwke Berkers |
Aug 18, 2017 |
|
Christine Bacareza Balance. 2016. Tropical Renditions: Making Music Scenes in Filipino America. Durham, NC and London: Duke University Press. ISBN 978-0-82236-001-8 (pbk). 230 pp. |
Jared Mackley-Crump |
Aug 18, 2017 |