| Section |
Title |
Author |
Published |
| Creative Archaeologies Forum
|
|
Beyond Art/Archaeology: Research and Practice after the ‘Creative Turn’. |
Antonia Thomas, Daniel Lee, Ursula Frederick, Carolyn White |
Feb 2, 2018 |
|
Entangled Concepts and Participatory Practices across Archaeology, Heritage and Art |
Leah Acheson Roberts, Colin Sterling |
Feb 2, 2018 |
|
On Rotating Positions in Archaeology, Art, and Architecture: Grindbakken |
Maarten Liefooghe |
Feb 2, 2018 |
|
To Talk of Turns… Three Cross-Disciplinary Provocations for Creative Turns |
Harriet Hawkins |
Feb 2, 2018 |
|
Afield |
Mike Pearson |
Feb 2, 2018 |
|
Archaeological Imprints: We Follow Lines And Trace Them |
Oscar Aldred, Gísli Pálsson |
Feb 2, 2018 |
|
The Junk Drawer Project: Field Photography and the Construction of Assemblage |
Genevieve Godbout |
Feb 2, 2018 |
|
Setomonogatari – Ceramic Practice as an Archaeology of the Contemporary Past |
Chris McHugh |
Feb 2, 2018 |
|
Reverse Archaeology: Experiments in Carving and Casting Space |
Rupert Griffiths, Lia Wei |
Feb 2, 2018 |
|
Buildings Archaeology Without Recording |
James Dixon |
Feb 2, 2018 |
|
Šabac: A Cinematographic Archaeology? |
Thomas Kador, Vesna Lukic |
Feb 2, 2018 |
|
Thinking Place – A Creative Exploration of Coastal Erosion |
Elizabeth Anne Bevan, Jane Downes |
Feb 2, 2018 |
|
Towards a Post-Anthropocentric Speculative Archaeology (through Design) |
Ola Ståhl, Mathilda Tham, Cornelius Holtorf |
Feb 2, 2018 |
|
Art/Archaeology: What Value Artistic- Archaeological Collaboration? |
Doug Bailey |
Feb 2, 2018 |