Vol 19 No. 2 (2018)
Journal: Perfect Beat
Published: Dec 4, 2019
View In OJS: https://www.equinoxpub.com/PB/issue/view/2761
| Section | Title | Author | Published |
|---|---|---|---|
| Introduction | |||
| Editorial introduction | Shelley Brunt, Oli Wilson | Oct 14, 2019 | |
| Articles | |||
| Rationales in flux: Charting transcultural Polynesian music-making processes | Andrew Faleatua | Oct 11, 2019 | |
| From punk to platforms: The future echoes of user-generated content found in Fast Forward cassette magazine and Melbourne’s DIY ‘cassette culture’ | Jared Davis | Oct 11, 2019 | |
| Ebbs and flows: Women as musicians in Perth popular music, 1980s–1990s | Laura Glitsos | Oct 11, 2019 | |
| Riffs | |||
| An interview with Ben Grayson: From digital sampling and appropriation to remixing and the affordances of technology | Gene Shill | Jul 10, 2019 | |
| Reviews | |||
| Pauwke Berkers and Julian Schaap. 2018. Gender Inequality in Metal Music Production | Catherine Hoad | Oct 11, 2019 | |
| Shelton Waldrep. 2016. Future Nostalgia: Performing David Bowie | Alison Blair | Oct 11, 2019 | |
| Shane Homan, Martin Cloonan and Jennifer Cattermole. 2016. Popular Music Industries and the State: Policy Notes | Emma-Jayne Reekie | Oct 11, 2019 | |