| Section |
Title |
Author |
Published |
| Editorial
|
|
Editors’ Introduction |
Simone Krüger Bridge, Jonathan P.J. Stock |
Sep 22, 2020 |
| Articles
|
|
Samba and Choro in the Classroom: Enculturation at Colégio Pedro II (São Cristóvão) |
Colin Harte |
Mar 4, 2020 |
|
From Here, There and Everywhere: Recording Popular Music in the “Field” |
Brent Keogh |
Apr 16, 2020 |
|
“The Pro Tooling of the World”: Digital Music Production, Democracy and Environmentality |
Brent Keogh, Ian Collinson |
Jun 17, 2020 |
|
The Kalunga Project: The Meanings of Popular Brazilian and Angolan Musical Productions beyond National Territory |
Mariana Barreto |
Jul 6, 2020 |
| Reviews
|
|
The Borders of Subculture: Resistance and the Mainstream by Alexander Dhoest, Steve Maillet, Barbara Segaert and Jacques Haers, eds. 2015. |
Hector Fouce |
Jun 18, 2020 |
|
Made in Taiwan: Studies in Popular Music by Eva Tsai, Tung-Hung Ho and Miaoju Jian, eds. 2020. |
Hyunjoon Shin |
Jun 18, 2020 |
|
Italian Birds of Passage: The Diaspora of Neapolitan Musicians in New York by Simona Frasca. 2014. |
Angela Moran |
Jun 18, 2020 |
|
Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues by Vic Hobson. 2014. |
Mathilde Zagala |
Jun 18, 2020 |