Vol 3 No. 1 (2008)
Journal: Popular Music History
Published: Nov 23, 2008
View In OJS: https://www.equinoxpub.com/PMH/issue/view/636
| Section | Title | Author | Published |
|---|---|---|---|
| Articles | |||
| Introduction to the special issue: 20 years of the Institute of Popular Music | Dave Laing | Nov 18, 2008 | |
| The origins and development of The Institute of Popular Music: An interview | Dave Horn | Nov 18, 2008 | |
| The Liverpool sounds project: Oral history research at the IPM | Dave Laing | Nov 18, 2008 | |
| ‘Where do I begin the story?’: Collective memory, biographical authority and the rock biography | Robert Strachan | Nov 18, 2008 | |
| Resources | |||
| Collections at the IPM | Robert Strachan | Nov 18, 2008 | |
| Reviews | |||
| Freya Jarman-Ivens, ed. Oh Boy! Masculinities and Popular Music. London: Routledge, 2007. 304 pp. ISBN 0-415-97821 (pbk). | Christine Adams | Nov 18, 2008 | |
| Diane Pecknold, The Selling Sound: The Rise of the Country Music Industry. Durham NC and London: Duke University Press, 2007. x + 294 pp. ISBN 978-0-8223-4080-5 (pbk). | Dave Laing | Nov 18, 2008 | |