| Section |
Title |
Author |
Published |
| Editorial
|
|
Bernard Herrmann: The Beethoven of Film Music? |
William H. Rosar |
May 31, 2009 |
| Articles
|
|
The Mystery of Herrmann's Music for Selznick's Portrait of Jennie |
Thomas DeMary |
May 30, 2009 |
|
A Note on Commercial Recordings of Herrmann's "Jennie's Song" from Portrait of Jennie |
Ronald Burbella |
May 31, 2009 |
|
Bernard Herrmann as Musical Colorist: A Musicodramatic Analysis of His Score for The Day the Earth Stood Still |
E. Todd Flegel |
May 31, 2009 |
|
Grand Illusion: The "Storm Cloud" Music in Hitchcock's The Man Who Knew Too Much |
James Wierzbicki |
May 31, 2009 |
|
Film Form and Musical Form in Bernard Hrrmann's Score to Vertigo |
David Cooper |
May 31, 2009 |
|
Self Borrowing in the Music of Bernard Herrmann |
William Wrobel |
May 31, 2009 |
| Reviews
|
|
Steven C. Smith. A Heart at Fire's Center: The Life and Music of Bernard Herrmann |
Richard Littlefield |
May 31, 2009 |
|
Dominique Nasta Rika Asai. Meaning in Film: Relevant Structures in Soundtrack and Narrative |
Melissa Ursula Dawn Goldsmith |
May 31, 2009 |
|
Sound and Vision: 60 Years of Motion Picture Soundtracks |
Jon Burlingame |
May 31, 2009 |
|
Daniel Goldmark and Yuval Taylor, eds. The Cartoon Music Book |
Eric Hung |
May 31, 2009 |
|
Pamela Robertson Wojcik and Arthur Knight eds. Soundtrack Available: Essays on Film and Popular Music |
K. J. Donnelly |
May 31, 2009 |