| Section |
Title |
Author |
Published |
| Editorial Essay
|
|
Film Studies in Musicology: Disciplinarity vs.Interdisciplinarity |
William H. Rosar |
Mar 13, 2010 |
|
Silvestre Revueltas’s Redes: Composing for Film or Filming for Music? |
Roberto Kolb-Neuhaus |
Mar 13, 2010 |
|
Mingus, Cassavetes, and the Birth of a Jazz Cinema |
Ross Lipman |
Mar 13, 2010 |
|
Wavering Sonorities and the Nascent Film Noir Musical Style |
Roger Hickman |
Mar 13, 2010 |
| Review Essay
|
|
Against All Odds: The Decline and Resurgence of the Symphonic Film Score in Hollywood |
Helen Mitchell |
Mar 13, 2010 |
| Westerns
|
|
The Great Crossing: Nostalgia and Manifest Destiny in Aaron Copland’s The Red Pony |
Beth E. Levy |
Mar 13, 2010 |
|
High Noon: Dimitri Tiomkin’s Oscar-Winning Ballad and its Russian Sources |
Ildar Khannanov |
Mar 13, 2010 |
|
The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns |
Michael Beckerman, William H. Rosar |
Mar 16, 2010 |
|
The Idyllic Sublime: A Dialog on the Pastoral Style in Westerns |
Michael Beckerman, William H. Rosar |
Mar 13, 2010 |
| Reviews
|
|
Christian DesJardins. Inside Film Music: Composers Speak Los Angeles: Silman–James Press, 2003. [xxv, 358 p. ISBN: 1879505886. $ 20.95 (trade paper)] Index. |
Tony Fonseca |
Mar 13, 2010 |
|
Dean Duncan. Charms that Soothe: Classical Music and the Narrative Film New York: Fordham University Press, 2003 [xiii, 211 p. ISBN: 0823222803. $26.00 (trade paper)] Communication and Media Studies, no. 9. Index. |
Christine Lee Gengaro |
Feb 17, 2010 |
|
Philip Hayward, ed. Off the Planet: Music, Sound, and Science Fiction Cinema Eastleigh, Eng.: John Libbey Publishing, 2004. [vii, 214 p. ISBN: 0861966449. $24.95 (trade paper)] Music examples, bibliography, index. |
Kendra Preston Leonard |
Mar 13, 2010 |
|
Roger Hillman, Unsettling Scores: German Film, Music, and Ideology.Bloomington: Indiana University Press, 2005. [xi, 219 p. ISBN: 0253345375. $50.00]Illustrations, bibliography, index. |
Paul A. Merkley |
Feb 17, 2010 |
|
Kathryn Kalinak. How the West Was Sung: Music in the Westerns of John Ford Berkeley, Los Angeles, and London: University of California Press, 2007. [x, 256 p. ISBN: 9780520252349. $24.95 ] Music examples, illustrations, bibliography, index |
Tom Schneller |
Feb 17, 2010 |
|
Charles Leinberger. Ennio Morricone’s “The Good, the Bad and the Ugly”: A Film Score Guide Lanham, Md.: Scarecrow, 2004. [xviii, 137 p. ISBN: 0810851326. $27.95. Scarecrow Film Score Guides, no. 3. Music examples, filmography, bibliography, index. |
Lori Stevens |
Feb 17, 2010 |
|
David Morgan. Knowing the Score: Film Composers Talk about the Art, Craft, Blood, Sweat, and Tears of Writing for Cinema New York: HarperCollins, 2000 [xix, 313 p. ISBN: 0380804824. $15.00 Music examples, illustrations, appendix, index. |
Michael Remson |
Feb 17, 2010 |