Frontispiece
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| Akedah |
Susan Glickman |
Dec 3, 2021 |
Foreword
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| Editor’s Foreword: Special Issue: Canadian Jewish Women Writers |
Catherine Caufield |
Dec 3, 2021 |
Articles
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| Echo in The Winter Vault: Anne Michaels’s Dialogic Imagination |
Michael Greenstein |
Mar 2, 2020 |
| Of the Body: Lineage and Threshold in Anne Michaels’s Correspondences, All We Saw and Infinite Gradation |
Connie T. Braun |
Dec 3, 2021 |
| Retaining Information and Knowledge in Human Memory in Mishnahic and Talmudic Periods: Historical, Cultural, and Practical Aspects |
Abraham Ofir Shemesh |
Dec 3, 2021 |
| The Unreliable Narrator: A Literary Study of Traumatic Experience through Chava Rosenfarb’s Rella Character |
Catherine Caufield |
Dec 3, 2021 |
| An Irresistible Temptation: Exploring Character Patterns in Sigal Samuel’s The Mystics of Mile End |
Jesse Toufexis |
Dec 3, 2021 |
| From Budapest to Montreal: Intergenerational Interlacing in Kalman-Naves’ Shoshanna’s Story |
Simone Grossman |
Dec 3, 2021 |
Reflections from the Field
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| A Writer’s Journey |
Anne Dublin |
Dec 3, 2021 |
| Reflections on Being a “Jewish Canadian Woman Writer” |
Susan Glickman |
Dec 3, 2021 |
| Writing With a Yiddisher Kop |
Robin McGrath |
Dec 3, 2021 |
| Reflections on Home and Identity |
Isa Milman |
Dec 3, 2021 |
Book Reviews
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| Nautilus and Bone, by Lisa Richter. |
Michael Greenstein |
Dec 3, 2021 |
| No Better Home?: Jews, Canada, and the Sense of Belonging, edited by David S. Koffman. |
Justin Jaron Lewis |
Dec 3, 2021 |
| Reading Revelation after Supersessionism: An Apocalyptic Journey of Socially Identifying John’s Multi-Ethnic Ekklesia with the Ekklesia of Israel, by Ralph Korner. |
Lorenzo DiTommaso |
Dec 3, 2021 |