| Section |
Title |
Author |
Published |
| Introduction
|
|
Introduction |
Mark Evans, Denis Crowdy |
Oct 3, 2015 |
| Articles
|
|
WHAT’S GOING ON? Perceptions of popular music lobbyists in Australia |
MARTIN CLOONAN |
Oct 3, 2015 |
|
BEYOND THE SAKURA WALTZ Reflections on the encounter between German and Japanese jazz, 1962–1985 |
ANDREW W. HURLEY |
Oct 3, 2015 |
|
TRANSCIENCE AND DURABILITY Music industry initiatives, Shima Uta and the maintenance of Amami culture |
Philip Hayward, SUEO KUWAHARA |
Oct 3, 2015 |
|
THE MASTERING PROCESS AND THE SYSTEMS MODEL OF CREATIVITY |
PHILIP McINTYRE, BRYAN PATON |
Oct 3, 2015 |
| Reviews
|
|
Drewett, M and Cloonan, M (eds) (2006) Popular Music Censorship in Africa, Aldershot: Ashgate |
JON STRATTON |
Oct 3, 2015 |
|
Hayward, P (2006) Bounty Chords: Music, Dance and Cultural Heritage on Norfolk and Pitcairn Islands, Eastleigh: John Libbey and Co |
JOHN WHITEOAK |
Oct 3, 2015 |
|
Finnegan, R (2007) The Hidden Musicians: music-making in an English Town, (2nd Edition), Middletown: Wesleyan University Press |
BRUCE JOHNSON |
Oct 3, 2015 |
|
Kitwana, B (2005) Why White Kids Love Hip-Hop: Wankstas, Wiggers, Wannabes, and the New Reality of Race in America, New York: Basic Civitas Books |
APRIL K. HENDERSON |
Oct 3, 2015 |