| Section |
Title |
Author |
Published |
| Editorial
|
|
Editors’ Introduction |
Simone Krüger Bridge, Sarah Baker, Raphaël Nowak |
Nov 29, 2017 |
| Music and Subalternity in Argentina and Brazil
|
|
Introduction to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time |
Pablo Alabarces, Felipe Trotta |
Oct 14, 2017 |
|
Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube |
Simone Pereira de Sá, Simone Evangelista Cunha |
Oct 13, 2017 |
|
“Argentina is cumbia”: Sociocultural Trajectories of Young “Cumbieros” in Urban Peripheries |
Malvina Silba |
Oct 13, 2017 |
|
Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil |
Berenice Corti, Luciana Xavier de Oliveira |
Oct 24, 2017 |
|
Relentless Denial: Female Homosexuality in Tango |
Mercedes Liska |
Oct 24, 2017 |
|
Questionable Tastes: Women, Love Songs and Gender Subalternity |
Carolina Spataro |
Nov 29, 2017 |
|
“Tomorrow never knows”: The Influence of the Beatles’ Music in Brazil |
Gustavo Alonso |
Oct 14, 2017 |
| Disciplinary Perspectives on Popular Music
|
|
The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century |
Michael B. Bakan |
Nov 29, 2017 |
|
Some Notes on Popular Music in my (Professional) Life |
Bruno Nettl |
Nov 29, 2017 |
|
Pop-Rock as Musical Cosmopolitanism |
Motti Regev |
Oct 3, 2017 |
| Popular Music and National Identity
|
|
Book Review: Rebecca M. Bodenheimer Geographies of Cubanidad: Place, Race and Musical Performance in Contemporary Cuba |
Iván Darias Alfonso |
Sep 23, 2017 |
|
Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain |
Nabeel Zuberi |
Sep 23, 2017 |
|
Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958–1980 |
Ben Green |
Sep 23, 2017 |
|
Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia |
Dijana Jelača |
Nov 29, 2017 |
|
Book Review: Dafni Tragaki, ed. Empire of Song: Europe and Nation in the Eurovision Song Contest and Karen Fricker and Milija Gluhovic, eds. Performing the “New” Europe: Identities, Feelings and Politics in the Eurovision Song Contest |
Peter Mills |
Sep 23, 2017 |