Vol 3 No. 3 (2008)
Journal: Popular Music History
Published: Sep 6, 2009
View In OJS: https://www.equinoxpub.com/PMH/issue/view/696
| Section | Title | Author | Published |
|---|---|---|---|
| Editorial | |||
| Introduction to the Special Issue | Tuulikki Pietilä | Sep 5, 2009 | |
| Articles | |||
| World Music and the global music industry | Dave Laing | Sep 5, 2009 | |
| National versus regional, many versus few: The dilemma facing the collection societies | Phil Hardy | Sep 5, 2009 | |
| Globalization and commercialization of Caribbean music | Mike Alleyne | Sep 5, 2009 | |
| Ghana and the World Music Boom | John Collins | Sep 5, 2009 | |
| Traditional music and the World Music marketplace: A producer’s experience | Joe Boyd, | Sep 5, 2009 | |
| Improvised performance in World Music: Finding the violin in unexpected places | Jonathan Feig | Sep 5, 2009 | |
| Resources | |||
| The Archive of Contemporary Music, New York | Andy Linehan | Sep 5, 2009 | |
| Reviews | |||
| Nathan Wiseman-Trowse, Performing Class in British Popular Music. Basingstoke:Palgrave Macmillan, 2008. 208 pp. £50.00. ISBN 978-0-230-21949-6 (hbk). | Dave Laing | Sep 5, 2009 | |