| Title |
Author |
Journal |
Issue |
Published |
ISBN / DOI |
Subjects |
Series |
|
From South Korea to the Southern Hemisphere: K-Pop below the Equator
|
Stephen Epstein |
Journal of World Popular Music |
Vol 3 No. 2 (2016)
|
Aug 8, 2016 |
10.1558/jwpm.v3i2.28863
|
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|
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Agent of Bicultural Balance: Ganma, Yothu Yindi and the Legacy of Mandawuy Yunupiŋu
|
Aaron Corn |
Journal of World Popular Music |
Vol 1 No. 1 (2014)
|
Apr 15, 2014 |
10.1558/jwpm.v1i1.12
|
|
|
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Beyond the Digital Diaspora: YouTube Methodologies, Online Networking and the Hmong Music Festival
|
Lonán Ó Briain |
Journal of World Popular Music |
Vol 2 No. 2 (2015)
|
Sep 11, 2015 |
10.1558/jwpm.v2i2.26561
|
|
|
|
Should World Music Teachers Teach World Music?: Popular Music and the World Music Survey Course
|
Andrew Killick |
Journal of World Popular Music |
Vol 1 No. 1 (2014)
|
Apr 15, 2014 |
10.1558/jwpm.v1i1.156
|
|
|
|
Book Review: Sara Cohen, Robert Knifton, Marion Leonard and Les Roberts, eds. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. New York and London: Routledge. 267pp. ISBN 978-0-41582-4-507 (hbk)
|
Antti-Ville Kärjä |
Journal of World Popular Music |
Vol 4 No. 1 (2017)
|
May 24, 2017 |
10.1558/jwpm.29624
|
|
|
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World Music as Evolving Tradition: Cultural Expression in Contemporary Music Practices
|
Diane Hughes, Sarah Keith |
Journal of World Popular Music |
Vol 2 No. 1 (2015)
|
Apr 27, 2015 |
10.1558/jwpm.v2i1.27172
|
|
|
|
Thirty Years of World Music
|
Timothy D. Taylor |
Journal of World Popular Music |
Vol 1 No. 2 (2014)
|
Feb 3, 2015 |
10.1558/jwpm.v1i2.26062
|
|
|
|
No Other Name? Authenticity, Authority, and Anointing in Christian Popular Music
|
Tom Wagner |
Journal of World Popular Music |
Vol 1 No. 2 (2014)
|
Feb 3, 2015 |
10.1558/jwpm.v1i2.23949
|
|
|
|
Indie-(an) Music: An Ethnography of a Rock Music Venue in Delhi
|
David Cashman |
Journal of World Popular Music |
Vol 1 No. 2 (2014)
|
Feb 3, 2015 |
10.1558/jwpm.v1i2.21351
|
|
|
|
Selling Lokal Music: A Comparison of the Content and Promotion of Two Locally Recorded and Released Albums in Port Moresby, Papua New Guinea
|
Oli Wilson |
Journal of World Popular Music |
Vol 1 No. 1 (2014)
|
Apr 29, 2014 |
10.1558/jwpm.v1i1.51
|
|
|
|
Sophisticated Lady: Female Vocalists and Gendered Identity in the Brisbane Jazz Scene
|
Lauren Istvandity |
Journal of World Popular Music |
Vol 3 No. 1 (2016)
|
Jul 3, 2016 |
10.1558/jwpm.v3i1.31197
|
|
|
|
A Study of Feminism and Womanism in Korean Hip Hop Songs by Female Rappers
|
Iljung Kim |
Journal of World Popular Music |
Vol 7 No. 2 (2020) Special Issue: Korean Hip-Hop and New Explorations of Afro-Asian Identity
|
Jan 6, 2021 |
10.1558/jwpm.42675
|
|
|
|
Sounding the Bromance: The Chopstick Brothers’ ‘Little Apple’ Music Video, Genre, Gender and the Search for Meaning in Chinese Popular Music
|
Jonathan P. J. Stock |
Journal of World Popular Music |
Vol 3 No. 2 (2016)
|
Dec 29, 2016 |
10.1558/jwpm.v3i2.32607
|
|
|
|
Our Stories, From Us, The “They”: Nick Gold talks to Lucy Durán about the Making of Buena Vista Social Club
|
Lucy Durán |
Journal of World Popular Music |
Vol 1 No. 1 (2014)
|
May 1, 2014 |
10.1558/jwpm.v1i1.133
|
|
|
|
Timothy Rice. 2014. Ethnomusicology: A Very Short Introduction. New York: Oxford University Press. 168pp. ISBN 9780199794379 (pbk)
|
Jonathan P. J. Stock |
Journal of World Popular Music |
Vol 1 No. 2 (2014)
|
Feb 3, 2015 |
10.1558/jwpm.v1i2.23976
|
|
|
|
When Digital is Physical and Ethnomusicologists are File Sharers
|
Denis Crowdy |
Journal of World Popular Music |
Vol 2 No. 1 (2015)
|
Apr 27, 2015 |
10.1558/jwpm.v2i1.27171
|
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Patrick W. Galbraith and Jason G. Karlin, eds. 2012. Idols and Celebrity in Japanese Media Culture. Basingstoke: Palgrave Macmillan. 256pp. ISBN 978-0-230-29830-9 (hbk)
|
Keisuke Yamada |
Journal of World Popular Music |
Vol 3 No. 2 (2016)
|
Jun 28, 2016 |
10.1558/jwpm.v3i2.28160
|
|
|
|
Multilingual Activism in South African Hip Hop
|
Quentin E. Williams |
Journal of World Popular Music |
Vol 5 No. 1 (2018) Hip Hop Activism and Representational Politics
|
Jun 5, 2018 |
10.1558/jwpm.36672
|
|
|
|
Eric Charry, ed. 2012. Hip Hop Africa: New African Music in a Globalizing World. Bloomington: Indiana University Press. 404 pp. ISBN 978-0-2530-05755 (pbk).
|
Murray Forman |
Journal of World Popular Music |
Vol 1 No. 1 (2014)
|
Apr 15, 2014 |
10.1558/jwpm.v1i1.123
|
|
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|
Icelandic hip hop: From ‘Selling American Fish to Icelanders’ to Reykjavíkurdætur (Reykjavík Daughters)
|
Tony Mitchell |
Journal of World Popular Music |
Vol 2 No. 2 (2015)
|
Apr 21, 2015 |
10.1558/jwpm.v2i2.25724
|
|
|
|
Gender, Popular Music and Australian Identity: Introduction to Special Issue
|
Catherine Strong |
Journal of World Popular Music |
Vol 3 No. 1 (2016)
|
Jun 28, 2016 |
10.1558/jwpm.v3i1.31134
|
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Le Mystère de Marcel Cellier: Transfer Processes in Early World Music
|
Britta Sweers |
Journal of World Popular Music |
Vol 2 No. 2 (2015)
|
Sep 11, 2015 |
10.1558/jwpm.v2i2.26750
|
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|
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Sounding Dublin: Mapping Popular Music Experience in the City
|
John O'Flynn, Áine Mangaoang |
Journal of World Popular Music |
Vol 6 No. 1 (2019)
|
Mar 17, 2019 |
10.1558/jwpm.34372
|
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She-Riffs: Gender and the Australian Experience of Alternative Rock and Riot Grrrl in the 1990s
|
Catherine Strong, Ian Rogers |
Journal of World Popular Music |
Vol 3 No. 1 (2016)
|
Jun 28, 2016 |
10.1558/jwpm.v3i1.31132
|
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Lee Marshall, ed. 2013. The International Recording Industries. New York and London: Routledge. 222pp. ISBN 978-0-415-60345-4 (hbk)
|
Matt Stahl |
Journal of World Popular Music |
Vol 1 No. 2 (2014)
|
Feb 3, 2015 |
10.1558/jwpm.v1i2.26616
|
|
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Diversity and Synergy in the Recording Industry in Portugal, 1988-2008
|
Pedro Nunes |
Journal of World Popular Music |
Vol 1 No. 1 (2014)
|
Apr 15, 2014 |
10.1558/jwpm.v1i1.73
|
|
|
|
Musical Ownership and Pop-folk on Jersey: Sustaining Tradition through Intervention, Technology and Creative Practice
|
Henry Johnson |
Journal of World Popular Music |
Vol 2 No. 1 (2015)
|
Apr 27, 2015 |
10.1558/jwpm.v2i1.27169
|
|
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|
MC Solaar and the Influence of Globalization on Local Hip-Hop Aesthetics
|
Saesha Senger |
Journal of World Popular Music |
Vol 5 No. 2 (2018) Special Issue: Hip Hop Activism and Representational Politics
|
Dec 18, 2018 |
10.1558/jwpm.37843
|
|
|
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We are the Sons of the Southern Cross: Gendered Nationalisms and Imagined Community in Australian Extreme Metal
|
Catherine Hoad |
Journal of World Popular Music |
Vol 3 No. 1 (2016)
|
Jun 28, 2016 |
10.1558/jwpm.v3i1.31133
|
|
|
|
Introduction: Technology and Ownership amongst “World Music” Practitioners: Ongoing Debates in a Globalizing World
|
Andrew Alter, Denis Crowdy, Stephen Collins |
Journal of World Popular Music |
Vol 2 No. 1 (2015)
|
Apr 27, 2015 |
10.1558/jwpm.v2i1.27168
|
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